Click to see my recent Curiculum Vitae CV/Resume

Echo Railton, MFA, Toronto, Canada.

Through large-scale drawings with charcoal pulled from bonfires and smaller work on well-loved nautical charts, my work encourages rethinking relationships and responsibilities regarding aggressive introduced species. Kudzu, dandelion, and zebra mussels, feature prominently. I offer native wildflower seeded handmade paper as I am motivated to further our reconciliation with the land, and to foster biodiversity. My community mural-making, and collaborative installation invites the viewer in to the work to play with me. I design and tend a number of pollinator-friendly gardens in public parks, pathways, and schools and teach others what I’ve recently learned about gardening for habitat rather than aesthetics.

Thanks for visiting my website. I have some presence on social media but, I’ve been abstaining lately from it. To get in touch please use the form at the bottom of this page.

MOTHRA artist residency, Gibraltar Point

Art Team Analog Analogue on the way to Miami for Basel – analoganalogue.org

Art Team Analog Analogue. Gallery works take the form of playful, viewer-interactive temporary installations. These encourage the viewer to realize their power and learn to play again. “What am I supposed to do?” they ask. “Anything you want to” we tell them. And then they play.

Awards/grants

  • Toronto Arts grant, 2024
  • Garden Award, 2023
  • Green Award, Florida State University, March 2012
  • Florida State University’s 8th Annual CVATD Awards: Received their Drawing and Painting Award, March 2011
  • Nominated for the Outstanding Teaching Assistant Award (OTAA) Florida State University, Tallahassee, USA, Spring 2011
  • Bronze place “China through your eyes” International Art competition through the ISU and Ohio University, April 24th 2007
  • Mackie Cryderman Award, Fanshawe College, London ON $500 Grant for a collaborative Drawing/ Painting Project, Summer 2000
  • “Taraxacum Officionale” has been published as cover art for a the Southeast Review and inside as a 4 page fold-out.

Contact me

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